CoPack Inc. Client work at Advue Digital Photo library
ArrivedProduct photos that looked AI-made MadeA photo library buyers believe
CoPack makes custom packaging for retail, food service, e-commerce and flexible-packaging clients, with a low-minimum line for businesses too small for a standard run. A packaging buyer is judging print fidelity, material weight, how a handle is set and whether a fold holds, and all of it has to come through a photograph. If the photo reads as fake, so does the factory.
What arrived
Two problems in the brief: nothing usable, and nothing believable.
The brief named both directly. No usable product material existed, so the library had to be built from scratch, and it could not read as AI- or Photoshop-made, because the imagery already on the site visibly did. It was also narrow: almost all food and beverage, for a company that sells to three other segments. A retail buyer landing on the homepage saw a business that appeared to serve restaurants.
So the standard was set before the first shot: a buyer scrolling the homepage should be evaluating the packaging, not noticing the picture. Anything that pulls attention to the image is attention taken off the product.
What I made
Pictures a buyer stops noticing.
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The library. Built to be looked through, not at.
- 1Light from one direction, and a shadow that falls where it should. The first thing a rendering gets wrong.
- 2Paper that creases at the gusset, and a handle set into the bag the way a factory sets it. The qualities a buyer is actually judging.
- 3A real table in a real room. The bag is in a customer’s world, not on a white void.
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The range. Four segments on the first screen.
- 1Food service: liners and papers, shot with the food on them.
- 2E-commerce: a mailer box, opened where it arrives.
- 3Retail: a printed carry bag on its way out of the store.
- 4Flexible packaging: stand-up pouches on the shelf, among the brands they would sit next to. A visitor from any segment now sees something that belongs to them before the first scroll.
1Before, by product type
- Bags
- Boxes
- Cups
- Mailers
- Food service papers
- Pouches
2Now, by who’s buying
- Retail
- Food Service
- E-Commerce
- Flexible Packaging
- 3Low-Minimum
The navigation. Organized around who’s buying.
- 1Before, the menu followed the catalog. A visitor had to know a product’s name to find its page.
- 2Now the first choice is who you are. A buyer self-identifies and lands among the products made for them. Worked out with Advue’s creative director.
- 3Low-Minimum is a top-level route. The small business that assumed a manufacturer was out of reach finds out otherwise on the first screen.
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The feed. A small story every week.
- 1“How to dress your bagel”: the parts, laid out like a diagram.
- 2“Beautiful, but not there yet”: half built, in the client’s box.
- 3“Wait, just one more”: the last layer.
- 4“Perfection. That’s what we call it.”: the finished thing, with the packaging as the last frame. Instagram and email ran in this register every week or two, for a year.
Also for CoPack
Clients’ packaging, rendered in use for Instagram.
Promotional posts for CoPack’s Instagram: clients’ packaging placed where it would be used, across wraps, boxes, deli paper and carry bags. Most of these scenes are generated, which the feed can carry and the product library could not.






The whole collection
The Instagram posts, then the library.
37 posts made for CoPack’s Instagram, most of them generated scenes of clients’ packaging, then the 63 product shots that make up the library on copackinc.com. Scroll sideways; each opens at full size in a new tab.
The Instagram posts, 37
Camila’s How to dress your bagel
Camila’s Not there yet
Camila’s Wait, just one more
Camila’s That’s what we call it
Orexi The bag, by the sea
Orexi The cup, and the same shot on a phone
Orexi The bag and cups at the table
Orexi Lunch from the containers
Orexi The sign
Maison Vanille The bag, carried
Maison Vanille Macarons in the box
Maison Vanille Pastry boxes, open
Graduation box Opened, on the day
Graduation box On the lawn
Graduation box In the gown
Graduation box The set, staged
Stadium cups In the stands
Stadium cups Two fans
Stadium cups The supporters
Stadium cups The cup and the bowl
KÀ by Cirque du Soleil The reusable bag, as a sheet
KÀ by Cirque du Soleil Carried out of the show
KÀ by Cirque du Soleil At the stage
KÀ by Cirque du Soleil In the lobby
Parks BBQ Insulated bags, as a sheet
Parks BBQ The bag, close
Hae Jang Chon The takeout set
Hae Jang Chon The meal, unpacked
Pet treats On the shelf
Pet treats On the walk
Pet treats Poured out
Japonica The bag and cup
Japonica The box, opened
Temaki A hand-roll box, opened
Seoul Bunsik Outside the shop
Seoul Bunsik At the table
Seoul Bunsik The bag, handed over
The library, 63
Library Product boxes
Library Candy bags
Library Candy bags
Library Cup holders
Library Cup sleeves
Library Paper cups
Library PET and PP cups
Library Compostable mailers
Library Compostable mailers
Library Compostable mailers
Library Compostable mailers
Library Paper bowls
Library Paper bowls
Library Plastic containers
Library Plastic containers
Library Takeout boxes
Library Takeout boxes
Library Takeout boxes
Library FSC paper bags
Library FSC paper bags
Library Plastic loop-handle bags
Library Plastic loop-handle bags
Library T-shirt bags
Library T-shirt bags
Library T-shirt bags
Library Food service papers
Library Tray liners
Library Tray liners
Library Canvas bags
Library Canvas bags
Library Canvas bags
Library PP non-woven bags
Library PP woven bags
Library PP woven bags
Library PP woven bags
Library Reusable bags
Library Reusable bags
Library Compostable mailers
Library Compostable mailers
Library Compostable mailers
Library Compostable mailers
Library Poly mailers
Library Poly mailers
Library Mailer boxes
Library Mailer boxes
Library Mailer boxes
Library Mailer boxes
Library RSC boxes
Library RSC boxes
Library Suffocation-warning bags
Library Suffocation-warning bags
Library Stand-up pouches
Library Stand-up pouches
Library Stand-up pouches
Library Bakery paper bags
Library Bakery poly bags
Library OPP and PP bread bags
Library Loop-handle bags
Library Paper eurotote bags
Library Paper eurotote bags
Library Paper eurotote bags
Library Printed T-shirt bags
Library Wave-top bags
What this demonstrates
Making a packaging company look like it can actually make packaging.
- A trust problem, treated as a design problem. The brief said imagery; the issue was visuals that contradicted the company’s core claim. No composition fixes a picture that reads as fake.
- Auditing what exists against what the company sells. Food-and-beverage photos for a four-segment business were shrinking its market from the homepage.
- Navigation around the customer, not the catalog. Buyers self-identify, and a whole segment became visible to itself.
- A standard held on a schedule. Weekly to biweekly for a year, and the result is checkable: every visual on copackinc.com is mine.
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CoPack Inc. is a custom packaging manufacturer supplying retail, food service, e-commerce, and flexible packaging clients, with a low-minimum-order line for businesses too small to meet standard manufacturing runs. The work covers the visual content across their marketing and their live site, the recurring Instagram and email campaigns, and the sales collateral used to show prospective clients what their packaging looks like in a customer's hands.
A packaging manufacturer sells a physical object, and what the buyer is actually evaluating is print fidelity, material weight, how a handle is set, whether a fold holds — qualities that exist only in the hand and have to survive being communicated entirely through a photograph. The brief named both problems directly: no usable product material existed, so the visual library had to be built from scratch, and it could not read as AI- or Photoshop-made. That second requirement matters more here than it would almost anywhere else. The existing imagery was visibly AI-generated, and if the product shots don't look real, the buyer has no reason to believe the manufacturing is real either. The imagery was also too narrow, skewing heavily toward food and beverage while the company serves three other segments — a retail buyer landing on the homepage saw a business that appeared to serve restaurants, so the visuals were quietly shrinking the company's addressable market below what it actually sold.
I rebuilt the visual library for credibility — physical lighting behavior, believable surfaces and shadows, materials that read as paper and board rather than as rendering — on the principle that a buyer scrolling the homepage should be evaluating the packaging, not noticing the image. Anything that pulls attention to the picture is attention taken off the product. I widened the range at the same time, so the homepage spread now carries multiple product categories across distinct brand identities and a visitor from any of CoPack's segments sees something that belongs to them within the first screen. Alongside that, I worked with Advue's creative director on restructuring the site around who's buying — Retail, Food Service, E-Commerce, Flexible Packaging, Low-Minimum — rather than by product type alone, so a visitor self-identifies in the navigation instead of hunting through a catalog. The Low-Minimum path matters most: it serves small businesses who'd otherwise assume a manufacturer like this is out of reach, and surfacing it as a top-level route makes an entire customer segment visible to itself.
CoPack Inc.
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Produced the visual content across CoPack's live site at copackinc.com and their marketing material
Replaced the existing AI-generated product imagery with realistic staging, rebuilding credibility as the primary design goal
Broadened the visual range to represent all four business segments rather than food service alone
Contributed to the site restructure alongside Advue's creative director, reorganizing navigation around customer segment
Designed recurring Instagram content and email campaigns on a weekly-to-biweekly cadence across a one-year engagement
Built packaging system mockups across multiple physical formats — wraps, boxes, deli paper, and carry bags
Art-directed product and lifestyle photography, including in-context staging
Designed the instructional piece as a step-by-step visual sequence
Designed a Google Display banner system across the full size range — 1200×628, 1200×1200, 300×250, 336×280, 728×90, 320×100, 160×600 — within a 150KB per-asset upload ceiling
Produced the product asset library for the site from scratch, working from a written requirements matrix
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Diagnosing a trust problem and treating it as a design problem. The brief was imagery; the actual issue was that the site's visuals contradicted its core claim, and no amount of better composition fixes a picture that reads as fake. It also covers the range product work requires — auditing what exists, finding the gap between what a company sells and what its interface communicates, restructuring navigation around customer segments rather than internal categories, and producing to a consistent standard on a recurring schedule. Every visual currently on copackinc.com is mine, which is a claim a reader can verify in a browser tab.